Graphic yet deeply tactile, each Kasu shape, made using the white earth casting technique, seems both unearthed and refined: a relic of an unknown civilization, brought back to the present with new precision.

After an investigation into the Bitossi tradition, through materials, forms and textures documented in the Bitossi Museum Archive, the author finds in engraving the contemporary design to which he applies patinated chromatics that hark back to an ancient language.